We did three major label records on Virgin Records and one of the things we didn’t like, when we look back at our career, was just the whole process of releasing an album. You know we’re doing this record on our own it’s our first on our own. We released it a week earlier because we wanted to, so it’s out today! So before we start talking about your new EP, Deserve This, which comes out March 17, by the way…
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For more information on how to pledge, visit /projects/adelitasway.īefore I get around you see how I did that (laughs)? At press time the group was 95 percent towards its goal in other words, well on its way towards being able to bring their brand of Sin City rock and roll straight to followers without any corporate suits or gatekeepers in the way. In addition to self-releasing Deserve This – earlier than the originally announced release date, Adelitas Way is already working on its fourth full-length studio album which the band hopes to complete and release with the help of fans via a Pledge Music campaign. The move to do our own thing was an easy one.” So I vowed to myself that’s never gonna happen again and we’re gonna put music out when we want. There was a point where I had a one-year old baby and I couldn’t feed her because they wouldn’t let me put music out and they wouldn’t let me tour. “The whole time we were making the third album they were telling us rock is dead and that we needed to make a different kind of record there was a lot of back and forth, a lot of discomfort, a lot of arguments, a lot of disagreeing and you could tell by how the album cycle went they didn’t fully invest in the record. They are very, very anti-rock and roll right now,” DeJesus said right at the outset of our recent conversation about his band’s brand new five-song EP, Deserve This, released on the Vegas Syn label. “You know I don’t even think our third record belonged on Virgin. The relationship of transferring the metaphysical in us is the most exciting thing.įor more about Adelitas Way, visit DeJesus, frontman and founding member of Las Vegas hard rock unit Adelitas Way, is not about to let a rancorous relationship with a now former major record label get in the way of making the type of music he wants to make and releasing said music when and how he wants. It’s those full-circle moments that make it extra special. I know what it’s like to go to a show and be inspired by seeing a band, so when people come up to me after a show and tell me the same thing, it’s the coolest feeling in the world. The energy transfer between us and the audience is just incredible, and the more passionate we are the more people connect. Honestly, the thing that’s excites me the most is when we go on tour and people come out to see us. What’s been the biggest highlight of your career so far? I usually run both heads straight with just a few pedals. It’s almost like clean sustain, and it's the coolest thing. I use a Marshall JCM800 and just got a 50-watt Plexi that I used on the song “Harbor the Fugitive." It has a cleaner sound but has a really good bite. When you play the right guitar through the right amp, it’s larger than life. The more I turned my ear to the way my favorite records sounded and the things I wanted to hear, the more I knew I had to play a Les Paul through a Marshall. The way I started playing them was a completely natural thing. How did your affection for Gibson Les Pauls begin? We’re building something that’s more true to ourselves, and the fans have really connected with it. It’s incredible when things like that can happen. What can you tell me about the band’s successful Pledge Music campaign?
Those are my favorites, but I love the whole EP. I really love playing “Sometimes You’re Meant to Get Used” and “Filthy Heart." I really love the solos in those two songs, and it was fun recording them. What are some of your favorite songs from the new EP? But most of the writing is done in the same room with all of our energies having input. Sometimes Rick may have an idea for a song and I’ll try to think of the message he’s trying to convey and play that feeling.
Many of the songs on the EP began with a riff, and then everyone got together and started jamming on it. What’s the band’s songwriting process like? It was a liberating, creative experience. For this album there was no agenda and it was the first time we really had a chance to be ourselves.
We were never able to do what we really wanted to do. It was always a case of we had our ideas and they had theirs. Up until this point, we had always had input from a lot of other people with our albums. GUITAR WORLD: What can you tell me about the band’s new EP, Deserve This?
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